Beldomandi, Prosdocimo de', Contrapunctus, Trans. Jan Herlinger, University of Nebraska Press, 1984 (1412).

Fux, Johann Joseph, The Study of Counterpoint. Translated and edited from Gradus Ad Parnassum, 1725, by Alfred Mann. Norton, 1965.

Haar, James, The Science and Art of Renaissance Music, Princeton University Press, 1998.

Hindemith, Paul, Craft of Musical Composition I: Theory, Trans. Arthur Mendel, Schott, 1942.

Jeppeson, Knud, Counterpoint: The Polyphonic Vocal Style of the 16th Century, Trans. Glen Haydon, Dover 1992 (Prentice-Hall 1939).

Kennan, Kent, Counterpoint: Based on 18th Century Practice, Prentice-Hall 1999 (1959).

Kitson, C.H., The Art of Counterpoint, Oxford University Press, 1962 (1902).

Lester, Joel, Between Modes and Keys: German Theory 1592-1802, Pendragon Press, 1989.

Lytle, V.V., The Theory and Practice of Strict Counterpoint, Ditson, 1940.

Owen, Harold, Modal and Tonal Counterpoint from Josquin to Stravinsky, Schirmer, 1992.

Piston, Walter, Counterpoint, W.W. Norton 1947.

Rameau, Jean-Philippe, Treatise on Harmony,Trans. Philip Gossett, Dover, 1971 (1722).

Salzer, Felix, and Carl Schachter, Counterpoint in Composition, Columbian Univ. Press 1969.
Table of Contents

©2009 Ars Nova Software, LLC